Once You've Established Where You Are, You

Anyone Can Write A Story Based On The Kind Of Horror Where You See A Guy In Car And Then There's The Bad Guy In The Back Seat. It's Infantile To Rely On That For Telling A Story. That's Like Going To Bed And Thinking There's A Monster Under Your Bed. It's Silly.

If The Gag Is Complicated, You Spend More Time Thinking About The Way You’re Drawing It.

Comics Is A Great Medium To Get A Lot Of Stories Out.

My Work Is So Unorthodox That From One Panel To The Next, The Drawings Are Completely Different... Totally Opposed To The Way Of Working In Something Like Animation, Where Every Drawing Has To Look Like The One Before.

A Comic Book Is The Opposite Of A Cartoon. In A Cartoon, You Want To Simplify The Idea, So When They Look At It At A Glance, They Get It. Boom. Simple. Direct To The Point. But When You're Drawing Groo, Now It's A Narrative, A Story. You Want The Viewer To Get Involved In The Story. You Want Him To Feel Like He's In The Town To Follow Your Main Character. So I Love To Add Lots And Lots Of Things In It. Things That People Will Enjoy Going Back To And Say, "oh Yeah, That's How A Market Must Have Looked In This Fantasy World, With People Selling Meat Here And Dishes Here."